Identity and Symbolic Order, 2018

The artist presents themself as a pure object, placing it within the field – the social world which is constituted by the signification of symbols and functioning as a machine. By carrying symbols (gimp mask, business suit, silk stockings, high heel, silicone breast, the body) through an act of climbing to be contemplated as hilarious, obscure performance art and be identified as various representations of distinctiveness and characterisation, the artist endeavour to reveal the deterritorialization of subjectivity and the dilemma of today’s identity politics, accidentally and ironically, the performance ceased in a submissive situation, but it opens and discloses its significance through the audiences’ act of viewing and reflection approaching the archival documents.